So, a few things have been happening since my last post.
My divorce/separation continues. As far as these things go, I guess it could be worse. Looks like Kirsty & I won’t be moving until January at the earliest (the wheels of legality grind exceeding slow). Many thanks to all those who have wished us well.
In the midst of all this, it seems as though I’m actually becoming a professional writer. My two-part piece on the Slenderman phenomenon has been accepted for publication by the prestigious Fortean journal Darklore. Part One should appear in Volume 6, later this year, Part 2 in the following volume. My thanks to Greg Taylor for offering me the opportunity.
This is officially my first paid piece of writing, and I’m pretty pleased at how it came out. I will of course remind you all when it’s released. (I’ll also be putting up a permanent link page on the site for all Slenderman-related stuff.)
I’m also happy to say that my long-delayed Mason Lang Film Club series at Weaponizer is now in full swing. The first piece, on The Matrix, is here and the second, covering The Thirteenth Floor, is here. The rest of these should be appearing roughly every month – the next installment discusses The Truman Show.
There’s a few other items on the horizon… one hint I can drop is that there could be some interesting developments in regard to The Tribe Of The Strange. More news hopefully soon!
Since it’s the tenth anniversary of the cinema release of The Matrix (and as I found this synchronistically while looking for something else), here’s Grant Morrison interviewed at Suicide Girls on the subject of just how much the film took from his epic magical (literally) comic The Invisibles:
It’s really simple. The truth of that one is that design staff on The Matrix were given Invisibles collections and told to make the movie look like my books. This is a reported fact. The Wachowskis are comic book creators and fans and were fans of my work, so it’s hardly surprising. I was even contacted before the first Matrix movie was released and asked if I would contribute a story to the website.
It’s not some baffling ‘coincidence’ that so much of The Matrix is plot by plot, detail by detail, image by image, lifted from Invisibles so there shouldn’t be much controversy. The Wachowskis nicked The Invisibles and everyone in the know is well aware of this fact but of course they’re unlikely to come out and say it.
It was just too bad they deviated so far from the Invisibles philosophical template in the second and third movies because they blundered helplessly into boring Catholic theology, proving that they hadn’t HAD the ‘contact’ experience that drove The Invisibles, and they wrecked both
‘Reloaded’ and ‘Revolutions’ on the rocks of absolute incomprehension. They should have kept on stealing from me and maybe they would have wound up with something to really be proud of – a movie that could change minds and hearts and worlds.
I love the first Matrix movie which I think is a real work of cinematic genius and very timely but I’ve now heard from several people who worked on The Matrix and they’ve all confirmed that they were given Invisibles books as reference. That’s how it is. I’m not angry about it anymore, although at one time I was because they made millions from what was basically a Xerox of my work and to be honest, I would be happy with just one million so I didn’t have to work thirteen hours of every fucking day, including weekends.
In the end, I was glad they got the ideas out but very disappointed that they blew it so badly and distorted all the Gnostic transcendental aspects that made the first film so strong and potent. If they had any sense, they would have befriended me instead of pissing me off. They seem like nice boys.
And while I’m at it, here’s XKCD’s take on the anniversary
. And seriously… if you’re a magician and haven’t read The Invisibles yet, why not